2013: State of the "New Age" Hip Hop Revolution Address.

[Jonathan Barlow Gee]

Illuminati NEWS:::
ENTERTAINMENT SECTION::
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2013: State of the "New Age" Hip Hop Revolution Address.

author: Paul "Laocoon" Revere

http://www.youtube.com/watch?v=KWuZ75NWrnM

personally I think Canibus did it as a diss to the audience members who were just there to see some shock-jock talk schlock at the expense of an elder, unsung legend. I saw "the notebook" not as an unintentional gaffe, but as a very clear "fuck you" to the modern battle-rap scene. He basically got paid to "retire" from public until the bullshit dies down. If you thinking we won't hear no more from Bis... just wait.

http://www.youtube.com/watch?v=RtYFeyiKnJY

I only got two things to say about the future of mainstream "hip-hop" / "gangsta rap": 1) something revolutionary is about to occur. and 2) it won't be a repeat of what we see here: http://www.youtube.com/watch?v=d5ZvzIOO6aU (I mean this in a positive sense, since I consider this video a "breakthrough" moment in the world of mainstream "pop" emceeing. The build up in quality of delivery from first to last performer showcases the incredible "speed-rapping" of a very young Michael Tyler, whom the world now knows as "Mystikal" of "did i do it? fucking right I did!" fame. The boule had Mystikal jailed, like Wesley Snipes and Lauryn Hill, to symbolically martyr them for the crimes committed by the Boule as a whole. In the case of Mystikal, the fore-shadowing in this video, using the metaphor of the sport of basketball becoming too simple, and the motif of a tank made out of gold - the logo of "No Limit Soldiers" Master P.'s production company - there is obvious use of symbols and pacing to induce the emotional sensation in a sedate audience of impending war. The purpose of such propaganda was to drain towns like Flint Michigan of below poverty young african-american males to join the US military - an ongoing effort bolstered mightily by the events on 9-11-01 - in order to fuel the fodder for a ground-invasion of Iraq, which was, already, by 1997 - the year of this video's release - seen as an inevitable end to Clinton-era economic sanctions that had already killed an entire generation of children in Iraq. There is ample evidence of "predictive programming" of such a general variety, however I find this particular example remarkable in its brazenness of these pro-military industrial complex themes, so out-of-place seeming coming from young african-american reformed *?* hard-core criminals as a means of being allowed an increased income and decreased work-load.)

the reason for the contemporary build-up to show-case his talents, in specific, was to emphasize the extreme "fast rapping" style of Mystikal's delivery. Although Mystikal had quickly signed to No Limit, it was actually a song he'd done with Busta Rhymes, of Flip Mode Squad - his own record label - that brought Mystikal's skills to the forefront of public attention. Busta first collaborated with Mystikal on Mystikal's own album, released in 98, called "Ghetto Fabulous," on track 14, "whacha want, whacha need," and though Mystikal's album was in the top 5 of 200 and #1 in R&B on the Billboard charts, it was on the winter, 98 "Extinction Level Event: the Final World Front" album produced by Busta Rhymes, featuring Mystikal on track 11, "Iz they wildin' wit' us and gettin' rowdy wit' us" (heard here: http://www.youtube.com/watch?v=-A-reE6kxN8 ) that proved to cement the role of Mystikal among the truly talented intelligentsia above the lesser fodder of the "hip-hop" industry. Busta Rhymes, whose mother was a Jamaican, retaliates to Mystikal's "speed rapping" delivery with his own, often decadent, format of such, and the two of them perform a battle of lyrical wit and skill as they attempt to out-race one another by fitting in more words in less time than the other. This was the DAWN of what has, since, become the "New Age" of "hip-hop."

Needless to say, after proving his massive quantity of talent at his newly invented style of artistic delivery from 1999, when he left No Limit, until 2005, when he was arrested for "statutory rape" of an underaged fan, the Boule felt it necessary to put Mystikal out of the picture for a 1/2 a decade, and so they did so, on trumped up phony charges, for an entire 1/2 decade. In January of 2010, Mystikal was released from incarceration, but his fate relative to the music industry remained uncertain. At first, overtures were made by reformed "Christian" / "gangsta rappers," but ultimately Mystikal laid low for 2 years, only performing in public very rarely, although he was still under contract to Jive Records (his second label) for one more album, to be entitled "Original" and released (TBA when) later in 2013. In 2012, Busta Rhymes recorded lyrics on the following track for (a fellow convict of a five year stint) Chris Brown, for the song "Look At Me Now" (viewable here: http://www.youtube.com/watch?v=__3JBtTVo5Y ) on the album "F.A.M.E." The remix of this song (here: http://www.youtube.com/watch?v=KstqJX-fbrY) was touted on youtube as "the fastest rap ever" and co-features with Busta Rhymes the super-humanly seeming "fast rap" delivery of Twista, whom Busta Rhymes appears to have been training and adopted as a protege on multiple tracks in Mystikal's absence. For fans of Chris Brown (he gets the first verse in "Look At Me Now," his 2013 album is called, "X".

Mystikal also released the title track (here: http://www.youtube.com/watch?v=d2g0gGAnmhM) , in late 2012 / early 2013, from his upcoming album "Original" TBA release date of 2013. On this track, Mystikal features Lil Wayne, who is also featured on the original version of the Chris Brown song with Busta Rhymes, "Look At Me Now," from Brown's 2012 album "F.A.M.E." It is obvious Lil' Wayne is attempting to "buddy up" to these, all amazingly skillful and talented members of the true "hip hop" intelligentsia of the "rap music" industry, most probably, on behalf of the Boule - as he identifies himself with their current popularizing of the "S.W.A.G." ("secretly we are gay") uniform for apparel. Is he hoping for a battle between Mystikal and Twista, to be overseen by Busta Rhymes as reigning champ, for the title of "fastest speed rapper" in the industry?

In 2006, as the hidden track called "I'll Hurt You" (here: http://www.youtube.com/watch?v=KP-xKhM0vWw ) on his album "The Big Bang," Busta collaborated with Eminem of Aftermath records (produced by Scott Storch and Dr. Dre) on which even Eminem is rendered speechless by Busta's delivery. While collaborating with Twista directly on "Can You Keep Up?" in 2012 (linked here: http://www.youtube.com/watch?v=y4iOrgJHFXc ), Busta and Mystikal both signed to "Bad Boy" records, and subsequently the label added Lil' Wayne as some "fresh, young talent" to play off the older, more experienced masters of this "game."

Now, one might say, this is all well and good, yet "WHO CARES?" Well, you should, if the "predictive programming" of the past has proven to have any influence on events of more major historical impact. In fact, that "Cash Money Millionaires" originated as a deep-southern states group of young emcees and deejays, indicates they are looking to reintroduce Mystikal, "King of the Dirty South" style of delivery (because we all know Bubba Sparxxx is an opposition plant), and are attempting to draw him out from his long confinement by luring him using Lil Wayne as a go-between to connect himself towards Busta Rhymes. But, nevertheless, as "fascinating" as all this may seem to some (myself mainly), this is NOT the "revolution" in mainstream "hip-hop" I fore-shadowed as the "New Age" sub-genre when mentioning Mystikal and Busta's collaboration on the first ELE album. Let me show you what I mean. This is a strapping young Puerto Rican I know who can rap faster than anyone known of yet by the Guiness Book of World Records: http://www.youtube.com/watch?v=eSA4f7RJ6OQ His stage-name is "Presto."

the difference between the "New Age" of "mainstream" hip-hop now, and the "breakthrough moment" when Mystikal was "slam-dunked" as a front-man for the W/PNAC agenda, then, and when the whole scene has shifted away from BET / VH1 / MTV music videos to the new media of pure data online and all music is available SOMEWHERE for free, now, "Presto" is among a very small, and in terms of skill and knowledge, incredibly intelligent (even by my standards) group of young men, spread not only across the states of one nation, but across the entire globe. His elite level of skills defy description, so without further ado, I give you "Sick Since" and "Presto," from "the Dynamic Duo" EP, which I can only HOPE is a smarting jab against the comedic level to which managing Eminem eventually reduced the world's dopest beat producer. Buckle the fuck up, this ride's a bit fast. Oh, and if you notice your brain working, that is probably because "New Age" hip-hop, unlike the "old mainstream" of TV media-based "rap industry" propaganda, is incredibly, as I mentioned, smart: http://www.youtube.com/watch?v=haf8LkzQ1Tg

There are so many "New Age" rappers now that it constitutes not only an entirely independent "sub-genre" of "underground hip-hop" working subversively to erode the foundations of the hip-hop "establishment," but should be considered an entirely equal (if not already far superior in numbers alone) movement in stature of quality and size of following as the entire "mainstream" music industry, consisting of mega-corporate sized record companies exercising creative control contractually, writing the artists out of their own wills, so to speak, including all of its media outlets on TV, radio and in print. Although this "New Age" movement has zero play with these mega-corps as of yet, and is excluded from all "mainstream media" coverage, and thus has had to resort to hosting most of its content only online, where only "digital credit" can be earned, and despite being shunned as "un-popular" by air-headed NWO snobs (ie. NSA-programmed AI troll-bots online) in this as of yet valueless medium, they remain in size and stature a larger movement than the system of mega-corp music production. Without the "NSA-programmed AI troll-bots online" I just mentioned, artists like Justin Beiber (or even Lil Wayne for that matter) would have far fewer views on youtube, and thus, seeming less "popular," would have far fewer fans in real life. However, the current "New Age" movement in hip-hop is bigger than mainstream "pop-rap" for ONE, much, Much more important reason. "New Age" hip-hop artists can still produce and distribute their own albums; they have solid material objects to offer as historical artifacts to future generations. The sales of records, compact-discs and even online mp3s are stunted by what the NWO defiantly slander as "internet piracy."

The Boule recruits young criminals with symptoms of abuse-suppressed talents in entertainment industry job descriptions, traditionally, by luring them into the larger cities of liberal hedonism, sadly portioned along the west coast of the USA, including Los Angeles, San Francisco, and Seattle. Sorry good citizens of these towns, ever since the 1960's you've been systematically targeted for "behavioral modification" experiments. One by one, under the auspices of the CIA's MK-Ultra program, you were subjected in turn each to a new facet of the neo-con "war on drugs." Los Angels, in the 1960's you were exposed to LSD. San Francisco, I am sorry to tell you, you were the subject of the first experiments with MDMA, called in impure forms "XTC." Seattle, the Bush family personally saw to it your "space needle" would come to symbolize their import of Afghani poppy plants to manufacture your "seasonal dis-affective" heroin addiction. Such are the primary focal points for those drawn inward by the magnetism of their allures. PT Barnum said once, "a fool and his money are soon parted." There is no surer way to ensure the poverty and slum-like living conditions of the environment of the poor than by forcing them to sell drugs to one another. The LAPD are complicit in CIA peddling of "crack" cocaine (mixed with baking soda) into the "slums" of LA, ie. into Compton. This infusion had fueled the economy of up and coming musicians from these "hoods" to form their own music studios and recording companies. For more about life during this time-period, please consult KRS-1. He was there: http://www.youtube.com/watch?v=6LBraR5bc6U

Just as "New Age" emcees like Illuminati Congo have made in-roads to meeting with KRS-1 and drawing him more toward interest in the deeper doctrines of the movement, rather than only the "political rap" of such (admittedly no less brilliant) emcees as "Immortal Technique" who have, at least so far, more attracted KRS with their message than have others he may have heard less from, such as "Beast 1333"; so, simultaneously, have the "MSM" gangsta-rap godfathers begun to take notice of their younger replacement counterparts arising in the "New Age" genre. Just so, Busta addressed the Canibus battle with respectful hesitation, but at least he publicly addressed it at all. Since it happened, to my awareness, not one peep from any of the long-standing battle-enemies of Bis (from LL Cool Jay to Eminem) has been heard about it at all. No doubt, Eminem can recognize a prank when he sees one being pulled right in front of his own eyes. Canibus has been around almost as long as KRS, and yet, again to my knowledge, they have not maintained any relationship publicly. Busta's recognition of Bis may seem a small doff of the hat, but considering he is, by now, himself one of the "tribal elders" within the MSM record-label industry's "hip-hop" department, this affirmation of his own counterpart in the "New Age" movement is as important as the ties being made between KRS-1, traditionally a more politicized lyricist, and the more esoteric studies of the "New Age" researchers, for such as this genre of lyricists have become for their rap, by honorable soul, my friend, Jahn. Just as Canibus is a "godfather" of the "New Age" genre, he is liable to be replaced in this role one day by the likes of Illuminati Congo, ATMA, Sick Since, Presto, Beast 1333, etc. Enjoy a masterpiece by Canibis that puts Eminem and LL Cool Jay's entire careers to shame with flawless delivery: http://www.youtube.com/watch?v=6x0w9TpI1xk

and in the spirit of that most ancient adage, "everyone thinks they can do anything they cannot" for a closing number, here's a "New Age" hip-hop joint by me, Jonathan Barlow Gee, myself. Enjoy! http://www.youtube.com/watch?v=K-0C4nBR_Dk

Yours truly, Paul "Laocoon" Revere
on behalf of the Illuminati NEWS.

[Jonathan Barlow Gee]

[Jonathan Barlow Gee]

[Jonathan Barlow Gee]

[Jonathan Barlow Gee]

[Jonathan Barlow Gee]

[Jonathan Barlow Gee]

[Jonathan Barlow Gee]

[Jonathan Barlow Gee]

[Jonathan Barlow Gee]

[Jonathan Barlow Gee]